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Results of Search:
Fumina Hamasaki (2020)
Subversions of fertility : menstrual blood, breast milk and 'feminised' food in feminist philosophy, literature and art, 1960-2000
PhD, Lancaster University, UK
Linda Jean Pittwood (2019)
Inscribing women onto bodies : an encounter with performance, photography and video art from Beijing and Shanghai, 1999-2016
PhD, University of Nottingham, Uk
Helen Lorraine Grogan (2019)
SPACE IS OCCURRING: twelve public exhibitions, 2016-2019
MFA, University of Melbourne, Australia
Nathália de Freitas (2019)
Grafites feministas: espaço de luta e resistência na arte urbana (2000-2018)
PhD, Universidade Federal de Goiás, Brazil
Tomás Emilio Pontigo Marín (2018)
La Ley 21.045 a la luz de una visión contemporánea de los derechos fundamentales, el derecho a la cultura y el arte
Licenciada en Artes Visuales, Universidade de Brasília , Brazil
Nikolina Höljö (2018)
Att kliva utanför ramen : Nakenhet, feminism och kritik av tre performanceverk från 1960- och 70-talet
BA, Uppsala University, Sweden
Gillian Turner Young (2018)
Telepresence: Joan Jonas and the Emergence of Performance and Video Art in the 1970s.
PhD, Columbia University, USA
Emily Watlington (2018)
Pretty gross : aestheticized abjection in feminist video art, 1996-2009 ; Pipilotti Rist, Marilyn Minter, and Mika Rottenberg
BA, MIT, USA
Abigail Shapiro (2018)
Ree Morton and feminist installation art: 1968 - 1977
PhD, McGill University, Canada
Nikolina Holjo (2018)
To step outside the frame : Nakedness, nudity, feminism and criticism of three performances in the 1960’s and 1970s
PhD, Uppsala University, Sweden
Katarina Duplančić (2017)
KONSTRUKCIJE ORIJENTALIZMA NA PRIKAZIMA ŽENA U UMJETNOSTI 20. I 21. STOLJEĆA/ THE STRUCTURES OF ORIENTALISMS IN FEMALE PORTRAITS OF THE 20 TH AND 21 TH CENTURY
MA, University of Split, Croatia
Jason Matthew Huber (2017)
Pathopolitics: Feminist Performance Art, Biopolitics, and Affect in 1970s America
PhD, University of California-Irvine, USA
Daniela Alvares Beskow (2017)
O discurso das mulheres na cena paulistana de 2015-2016: uma proposta feminista de análise de espetáculos
PhD, Universidade Estadual Paulista, Brazil
Emilie Blanc (2017)
Art Power : tactiques artistiques et politiques de l’identité en Californie (1966-1990)
PhD, Universite Rennes 2, France
Regina Danino (2017)
Experimental film : Catholic and feminist readings of my films (2010-2016).
PhD, University of Westminster, UK
Ruth Amy Burgon (2017)
Pace, rhythm, repetition : walking in art since the 1960s (Janet Cardiff, Trisha Brown)
PhD, University of Edinburgh, UK
David Sperber (2017)
Jewish Feminist Art in the US and Israel, 1990-2017
PhD, Bar-Ilan University, Israel
Emilie Bouvard (2017)
Violence de l'art des femmes, 1958-1978 : surréalisme, psychanalyse et féminisme : Violence in women's art, 1958-1978 : surrealism, psychoanalysis and feminism
PhD, Paris 1, France
Daniela Alvares Beskow (2017)
O discurso das mulheres na cena paulistana de 2015-2016: uma proposta feminista de análise de espetáculos
MA, Universidade Estadual Paulista (UNESP), Brazil
Irene Dimitrios Gerogianni (2017)
Η περφόρμανς στην Ελλάδα από τις αρχές της δεκαετίας του '70/ Performance art in Greece from the beginning of the 1970s
PhD, Aristotle University of Thessaloniki, Greece
Alisa Kronberger (2016)
Korper auflesen, Raum verschaffen.Video in der Performance-Kunst der feministischen Avantgardein den 1970er Jahren
MA, University of Marburg, Germany
Rachel Warriner (2016)
Nancy Spero: Pain and Politics, 1966-1976
PhD, University College Cork, Ireland
Goodman Emily Elizabeth (2016)
Feeding Feminism: Food and Gender Ideology in American Women's Art, 1960-1979
PhD, University of California - San Diego, USA
Anxela Caremes Sales (2016)
Las prácticas curatoriales feministas en el Estado Español (1993-2013). La gestión cultural como productora del discurso de las identidades de género
PhD, Universitat Politècnica de València, Spain
Liv Brissach (2016)
From Above: The Vertical Perspective in Ursula Biemann’s “Remote Sensing” (2001)
MA, University of Oslo (UiO), Norway
Eliza Tan (2016)
Yoshiko Shimada : art, feminism and memory in Japan after 1989
PhD, Kingston University, UK
Iris Teres Korsnes (2016)
Love is What you Want. Analyser av Tracey Emins verk Everyone I Have Ever Slept With 1963-1995, Hate and Power Can Be a Terrible Thing og Love is What You Want
MA, University of Oslo (UiO), Norway
Rafaella Sudário RIBEIRO (2016)
As caixas de memórias de Marilda de Godoi: arquivo, visualidade dos corpos e poder (1889 – 1969)
PhD, Universidade Federal de Goiás, Goiânia, Brazil
Tomás Peters Núñez (2016)
Nelly Richard's crítica cultural : theoretical debates and politico-aesthetic explorations in Chile (1970-2015)
PhD, Birkbeck College, University of London, UK
Elicia Clare Spencer-Mills (2016)
Dialectics of Belonging and Strategies of Space: Cultural Memory, B/black Women's Creativity, and the Folds of British Art History 1985-2011
PhD, Leeds University, UK
Amy Tobin (2016)
Working Together, Working Apart: Feminism, Art, and Collaboration in Britain and the United States, 1970–81
PhD, University of York, UK
Lu I-Ying (2016)
LA FEMINIDAD Y LA CONSTRUCCIÓN DE LA SUBJETIVIDAD EN EL ARTE FEMENINO CONTEMPORÁNEO DE TAIWAN, A PARTIR DE LOS AÑOS 90/ The Femininity and the Construction of Subjectivity in the Contemporary Feminine Art of Taiwan Since the 1990s
PhD, Universitat Polytechnica de Valencia, Italy
Rachel Warriner (2016)
Nancy Spero: Pain and Politics, 1966-1976
PhD, University College Cork, Ireland
Anna Światłowska (2015)
Arte feminista en Polonia: artistas emergentes 2010-2015
PhD, Universidad Complutense de Madrid, Spain
Anna Światłowska (2015)
Arte feminista en Polonia: artistas emergentes 2010-2015
PhD, Universidad Complutense de Madrid, Spain
Stephanie Lianne Rhyner (2015)
Satirical Warfare: Guerrilla Girls' Performance and Activism from 1985-1995.
MA, University of Wisconsin-Milwaukee, USA
Eleanor Roberts (2015)
hird Area : a feminist reading of performance at London's Institute of Contemporary Arts in the 1970s.
PhD, Queen Mary's University, UK
Julie Dring (2014)
Who were the Hackney Flashers? The history and importance of a British Feminist Collective, 1974-1980
MA, Ryerson University, USA
Abney Louis Henderson (2014)
Four Women: An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960s-1980s
PhD, University of South Florida, USA
Vergara Loyola, Juanita Leonor (2014)
Cautivas y liberadas : modelos de mujer en revistas femeninas de comienzos del Siglo XX en Chile : La Silueta (1917/1918) y Acción Femenina (1922/1924)
BA, Universidad de Chile , Chile
Norman Ferey (2014)
La déconstruction du corps et des sexualités dans les performances artistiques en France de 1970 à 2000 : vers une prise en compte de la notion de genre / Deconstruction of Sexuality and the Body in Performance Art in France 1970-2000
PhD, Paris 8, France
Katherine Rosenheim (2014)
Nude performances in the practice of Fiona Banner, 2006-2010
MA, University of Southern California, USA
Sarah Pucill (2014)
Mourning, materiality and the feminine: Sarah Pucill’s films 2004-2010
PhD, University of Westminster, UK
P. Brailovsky Ruiz (2014)
Geographies of violence : site-oriented art and politics at the Mexico-U.S. border from the 1980s to the present
PhD, University College London (UCL), UK
Gabriela Aceves Sepúlveda (2014)
Mujeres que se visualizan : (En)gendering archives and regimes of media and visuality in post-1968 Mexico
PhD, University of British Columbia, Canada
Laura MacArthur (2014)
Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present
PhD, University of Toronto, Canada
Henri Hugues (2014)
1914-2014, un siècle d’anthropophagie féminine dans l’art brésilien : pertinence et actualité ?
PhD, Universite des Antilles-Guyane, France
Sylvie Simonds (2014)
A countercultural movement: examining Carolee Schneemann's kinetic theatre between 1963 and 1970
PhD, McGill University, Canada
Olivier Vallerand (2014)
Making homes, building identities: queer subversions of domestic space, 1994-2014
PhD, McGill University, Canada
Louise Mayhew (2014)
A history of women-only art collectives and collaboration in Australia 1970-2010
PhD, University of New South Wales, Sydney, Australia
Elisabeth Hanzl (2013)
Die Performances der V-Girls (1986 - 1996)
Hochschulschrift (Diplomarbeit), University of Vienna / Universität Wien, Austria
Lorna Alice Moira Dillon (2013)
Violetta Parra's Visual Art (1917-1967)
PhD, King's College London, UK
Elizabeth Melanson (2013)
The patronage of modern art by the high society women of Paris, 1871-1914
PhD, University of Delaware, USA
Lindsay Moynihan (2013)
Contemporary Motherhood; An Intimate Look at Mothers in the 21st Century
MAE, Ferris State University, USA
Erin Silver (2013)
Sites unseen and scenes unsighted: histories of feminist and queer alternative art spaces, ca. 1970-2012 (New York, Los Angeles, Montreal)
PhD, McGill University, Canada
Kim Rondeau (2013)
Où en sommes-nous avec l'art féministe? : analyse de la programmation de la Centrale Galerie Powerhouse (1973-1978 et 2007-2010).
MA, UQAM, Canada
Rosa Nogues (2013)
The body of sexuation : feminist art practice in the 1990s
PhD, Kingston University, UK
Alice Planel (2013)
Artists of Algerian origin exhibiting in France 1989-2012 : an analysis of selected artists' work and its reception : the urban, the home and the Arab woman, and the 'global' art world
PhD, Kingston University, UK
Samantha Gaier (2013)
Interior Decoration as Fine Art: Rachel Feinstein and The Sorbet Room, 2001
MA, Bowling Green State University, USA
Monika Kaiser (2013)
Neubesetzungen des Kunst-Raumes : feministische Kunstausstellungen und ihre Raume, 1972-1987 : New Members of the Art-Room: feminist exhibitions and their room, 1972-1987
PhD, Universität der Künste Berlin, Germany
Michelle Metivier (2013)
Of pinafores and penises : feminist art of the 1970s
MA, University of Oxford, UK
Hilkka Marja Booker (2013)
Our Ladies: Third Space Identities in Chicana Artistic Expressions, 1970-2000
PhD, University of Maryland, USA
Amy Charlesworth (2013)
The 'video-essay' in contemporary art : documenting capital and gender for the 21st century
PhD, University of Leeds, UK
Emily Katherine Liebert (2013)
Roles Recast: Eleanor Antin and the 1970s
PhD, Columbia University, USA
Emily Katherine Lieberts (2013)
Roles Recast: Eleanor Antin and the 1970s
PhD, Columbia University, USA
Shir Aloni Yaari (2012)
Brushstrokes: Hair in the Work of Women Artists 1970-2010
PhD, Courtauld Institute of Art, UK
Megan Breen Dwyre (2012)
To Be "High" and "Fine": Quilts, Art, and Power, 1971-1991
MA, University of Maryland, USA
Hanna Yoo (2012)
In and out of character : Eleanor Antin's role-playing project, 1972-87
MA, School of the Art Institute of Chicago, USA
María Jesús Abad Tejerina (2012)
La representación del cuerpo femenino en la fotografía española: artistas fotógrafas de la colección de arte contemporáneo del Museo Nacional Centro de Arte Reina Sofía (1990-2010): aplicaciones didácticas en el ámbito universitario
PhD, Universidad Complutense, Madrid, Spain
Stephanie Schwarbe (2012)
Identité et mémoire : art contemporain en RDA et dans les nouveaux Länder à partir de 1971 : Lutz Dammbeck, Karla Sachse
PhD, Rennes 2 University - Université Rennes 2, France
Tabitha A Morgan (2012)
A 'living art': Working-class, transcultural, and feminist aesthetics in the United States, Mexico, and Algeria, 1930s
PhD, University of Massachusetts, Amherst, USA
Tessa Elizabeth Jordan (2012)
Branching Out, 1973--1980: Canadian Second-Wave Feminism, Periodical Publishing and Cultural Politics
PhD, University of Alberta, Canada
Megan Ampe (2012)
Martha Rosler's Bringing the War Home: House Beautiful, 1967-1972: An Interrogation of the American Dream
MA, University of Oregon, USA
Jade Wildy (2011)
Shades of green: changes in the paradigm of environmental art since the 1960s.
MA, University of Adelaide, Australia
Anna Lammers (2011)
Der medizinische Blick : medizinische Bilder des Körpers in zeitgenössischer Kunst am Beispiel von Mona Hatoums Corps étranger (1994) und Marilène Olivers `Family Portrait (2002)
PhD, Ruhr-Universität Bochum, Germany
Jessica Baggaley (2011)
Collaged connections : an exploration of 'Heresies: a feminist publication on art and politics' since 1960
MA, Courtauld Institute, London, UK
Roxanna Josephine Moiya Hackett (2011)
The shifting status of women artists since the 1970s : the role of feminism and the case of feminist artist Mary Kelly
MA, University of Manchester, UK
Clarissa Kennedy Jacob (2011)
A festival of one's own : sisterhood, consciousness-raising and feminist intervention at the First Festival of Women's Films, 1972
MA, Courtauld Institute, London, UK
Andrée-Anne Pellerin (2011)
La dimension phénoménale du corps dans la performance des années 1970 à 1980
MA, UQAM, Canada
August Jordan Davis (2011)
Bringing the war back home: Martha Rosler's anti-war photomontages(1967-2008)
PhD, University of Liverpool, UK
Martine Monteau (2011)
L'insaisie, Jacqueline Lamba (1910-1993) : éléments de recherche biographique dans le contexte historique / The elusive, Jacqueline Lamba (1910-1993) : biographical research's elements in historical context
PhD, Paris 1, France
Margaretta Swigert (2011)
Globalizing Kenyan culture: Jua kali and the transformation of contemporary Kenyan art: 1960--2010
PhD, Loyola University Chicago, USA
Sophie Bertrand (2011)
"De fil en aiguille", les femmes sculpteurs à l'œuvre depuis 1950 : confrontations, explorations et quêtes, un dévoilement d'identités, «Following a thread», female sculptors working since 1950 : confrontations, explorations and revealed identities
PhD, Toulouse 2, France
Helene Fleckinger (2011)
Cinéma et vidéo saisis par par le féminisme (France, 1968-1981) / Cinema and Video Captured by Feminism (France, 1968-1981)
PhD, Paris 3, France
Patricia Gaal-Holmes (2011)
Decade of diversity : a history of 1970s British experimental film
PhD, University of Portsmouth, UK
Robert Lyle Hernandez (2011)
Archival body/archival space: Queer remains of the Chicano Art Movement, Losa Angeles, 1969-2009
PhD, University of Maryland, College Park, USA
Charlotte Sanna (2011)
Pretty vacant : Narcissism and feminist activism in Sanja Ivekovic's work of the 1970s
MA, Courtauld Institute, London, UK
Lesley E. Shipley (2011)
Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964
PhD, Bryn Mawr College, USA
Louna Lehto (2010)
Interpreting a Bed: a glance at the reception of Tracey Emin’s My Bed (1998) and the challenges of self-representation
MA, University of Oslo (UiO), Norway
Dana Carlisle Kletchka (2010)
Nice Girls, Left-Wing Ladies, and Merry Bands: A New Generation of Art Museum Educators in the 1970s
PhD, Penn State University, USA
Lesley Gamble (2010)
Her Charming Hand Essentialism, Artistic Touch and Feminist Art from the 1960s and 70s
PhD, University of Florida, USA
Karolina Kunkler (2010)
Aus den Dunkelkammern der Moderne : Destruktivität und Geschlecht in der Bildenden Kunst des 19. und 20. Jahrhunderts / From the darkroom of modernity: Destructiveness and gender in the Visual Arts of the 19th and 20th century
PhD, Heinrich-Heine-Universität Düsseldorf, Germany
Donna Gustafson (2010)
At home in the 60s: images of the home in American art, 1960-1975
PhD, Rutgers University, USA
Stefanie Snider (2010)
Envisioning bodily difference: refiguring fat and lesbian subjects in contemporary art and visual culture, 1968-2009
PhD, University of Southern California, USA
Peggy Wang (2010)
Responding to the world: Contemporary Chinese art exhibitions and criticism in the 1990s
PhD, University of Chicago, USA
Marie Picard (2010)
Entre corps plastique et violence de l'esthétique : la féminité artistique des années 1970 à nos jours
PhD, Paris 8, France
Ruth Zaragoza Sanchis (2010)
Estética cotidiana : análisis en el arte contemporáneo, 1970-2000
PhD, Universidad Politécnica de València, Spain
Sara E Mastbaum (2010)
“Systems Within Systems, Microcosms Within Microcosms”: The Sculpture of Lee Bontecou after 1980.
MA, University of Cincinnati, USA
Kathrin Forster (2010)
Die Welt in 100 Jahren
Hochschulschrift (Diplomarbeit), University of Vienna / Universität Wien, Austria
Robin Kathleen Williams (2010)
Against the "subject" of video, circa 1976 : Joan Jonas's Good night good morning and an archive of "narcissism"
MA, University of Texas at Austin, USA
Louna Lehto (2010)
Interpreting a Bed : a glance at the reception of Tracey Emin`s My Bed (1998) and the challenges of self-representation
MA, University of Oslo, Norway
Marilyne Lafrenaire (2009)
Les représentations de la femme dans l'œuvre scénique de Diane Dufresne, 1975-1984
MA, Université du Québec à Trois-Rivières, Canada
Sanna Teittinen (2009)
Kohti lyyristä abstraktismia : Anitra Lucanderin 1950-luvun modernismi / Towards Lyrical Abstraction Anitra Lucander's Modernism in the 1950s
MA, University of Helsinki, Finland
Kirsten Fleur Olds (2009)
Networked Collectivities: North American Artists' Groups, 1968-1978
PhD, University of Michigan, USA
Kelly M. Twilley (2009)
Troubling Women: Female Texts and Voices of the Northern Irish Conflict, 1969-1998
MA, Georgia Southern University, USA
Susan M. Weinart (2009)
Politics, aesthetics and gender relations in African-American art : das Werk von Elizabeth Catlett und Betye Saar (1940-2005)
PhD, Humboldt-Universität zu Berlin, Germany
Shibin Zhang (2009)
A Comparison between Chinese and Western Women Artists' Work in the Late 1980s and Early 1990s
PhD, Manchester Metropolitan University, UK
Anne-Kathrin Herber (2009)
Frauen an deutschen Kunstakademien im 20. Jahrhundert : Ausbildungsmöglichkeiten für Künstlerinnen ab 1919 unter besonderer Berücksichtigung der süddeutschen Kunstakademien/ Women at German art academies in the 20th century : ways of education for women a
PhD, Heidelburg Universität , Germany
Hazel Elizabeth Frizell (2009)
Representations of specific concerns of the women's liberation movement in British feminist art 1970-1978
PhD, Kingston University, UK
Hanna Hallgren (2009)
När lesbiska blev kvinnor : När kvinnor blev lesbiska. Lesbiskfeministiska kvinnors diskursproduktion rörande kön, sexualitet, kropp och identitet under 1970- och 1980-talen i Sverige
PhD, Linköping University, Sweden
Marie Danniel-Grognier (2009)
Formes et manifestations de la subjectivité dans le cinéma documentaire personnel américain (1960-1990)
PhD, Université de Poitiers, France
Amanda Bell (2008)
Our unending heritage: a critical biography based on the life of Ella Osborn Fry (nee Robinson) 1916-1997
PhD, University of Technology Sydney, Australia
Sigrid Adorf (2008)
Operation Video : eine Technik des Nahsehens und ihr spezifisches Subjekt : die Videokunstlerin der 1970er Jahre / Operation video: one technique of close vision and specific subject: video artists of the 1970s
PhD, Bremen Universität , Germany
Ming Turner (2008)
Visualising culture and gender : postcolonial feminist analyses of womenís exhibitions in Taiwan, 1996-2003
PhD, Loughborough University, UK
Kristy Arlene Holmes (2008)
Negotiating the Nation: The Work of Joyce Wieland 1968-1976
MA, Queens University, Canada
Yang Fang-chan (2008)
(Chinese/English title) A Theatre of Operation: The Reincarnation of St. Orlan (1990-1993)--Reifying Transgression and Integration in Identity Making
PhD, National Central University Institutional Repository (NCUIR), Taiwan
Rakhee Balaram (2008)
Femmes révolutionnaires : the politics of women's art, theory and practice in 1970s France
PhD, Courtauld Institute, London, UK
Betina Kaplan (2007)
Género y violencia en la narrativa del Cono Sur, 1954-2003
PhD, Columbia University, USA
Barbro Elisabeth Hernes-Reuterfeldt, (2007)
Kunsthåndverk i tidlig feministisk kunst - med hovedvekt på Judy Chicago og Miriam Schapiro's verker fra perioden 1970 til 1980
MA, University of Oslo, Norway
Meredith A. Brown (2007)
School is a place to perform : the art and pedagogy of Judy Chicago's women's art program at Fresno State College, 1970-1971
MA, Courtauld Institute, London, UK
Johanna Rosenqvist (2007)
Könsskillnadens estetik? : Om konst och konstskapande i svensk hemslöjd på 1920- och 1990-talen / An Aesthetics of Sexual Difference? : On Art and Artistry in Swedisch Handicraft of the 1920s and 1990s (English)
PhD, Lunds Universitet / Lund University, Sweden
Noelía García Bandera (2007)
SUJETO FEMENINO EN EL ARTE Y LA PUBLICIDAD: ANÁLISIS ICONOGRÁFICO DE LA FOTOGRAFÍA PUBLICITARIA DE PERFUMES (1990-2007)
PhD, Universidad de Malaga, Spain
Iva Popovicova (2006)
New body politic : Czech and Polish women's art of the 1990s
PhD, State University of New Jersey, USA
Aliza Rachel Edelman (2006)
The modern woman and abstract expressionism : Ethel Schwabacher, Elaine De Kooning, and Grace Hartigan in the 1950s
PhD, Rutgers University, USA
Devon P Larsen (2006)
Rethinking the Monumental: The Museum as Feminist Space in the Sexual Politics Exhibition, 1996.
MA, University of South Florida, USA
Kathleen Wentrack (2006)
The Female Body in Conflict. U.S. and European Feminist Performance Art, 1963-1979: Carolee Schneemann, Valie Export, and Ulrike Rosenbach.
PhD, City University of New York, USA
Siona Wilson (2006)
The Filmic Mode: Feminist Art Practices and the Avant Garde in North America and Britain during the 1970s.
PhD, Columbia University, USA
See also by same author, Art Labor, Sex Politics (Minnesota, 2015)
S. Wood (2006)
Creative embroidery in New South Wales, 1960 - 1975
PhD, Royal Melbourne Institute of Technology, Australia
Annelien Keen (2006)
Kunst met een boodschap. Een geschiedenis van het Vrouwen Kunst Kollektief 1982-1992.
PhD, Utrecht University, The Netherlands
Barbara Wagner (2006)
Corporeal identity : die Medialisierung des Korperbildes in der Kunst um 1970 ; Identitatsfragen und deren Reflexion mittels verfremdeter Korperbilder
PhD, Goethe-Universität Frankfurt am Main, Germany
Kristin Marie Brockmann (2006)
Constructive Alienation and Terror: An Analysis of Martha Rosler’s A Simple Case for Torture (Or How to Sleep at Night) (1983), Harun Farocki’s Inextinguishable Fire (1969), and Eye/Machines (2001-3)
MA, University of Cincinnati, USA
Julia Antivilo Peña (2006)
“Entre lo sagrado y lo profano se tejen rebeldías”: Arte feminista latinoamericano. México.1970-1980
MA, Universidad de Chile, Chile
Victoria Estrada-Berg (2005)
Art criticism and the gendering of Lee Bontecou's art : 1959-1964
MA, University of North Texas, USA
Lycia Danielle Trouton (2005)
An intimate monument (re)-narrating 'the troubles' in Northern Ireland: the Irish Linen Memorial 2001-2005
MA, University of Wollongong, Australia
Johanna Monighan-Schaefer (2005)
Offenbarung 12 im Spiegel der Zeit : eine Untersuchung theologischer und künstlerischer Entwicklungen anhand der apokalyptischen Frau / Revelation 12 in the mirror of time: a study of theological and artistic developments based on the apocalyptic woman
PhD, Philipps-Universität Marburg / University of Marburg, Germany
Katherine Battista (2005)
Women's work : feminist artists in 1970s London
PhD, Birkbeck College, University of London, UK
Jina Kim (2004)
Invitation to the other : the reframing of American art and national identity and the 1993 Whitney Biennial in New York and Seoul
PhD, State University of New York at Binghamton, USA
Fabienne Dumont (2004)
Femmes et art dans les années 70 : "douze ans d'art contemporain" version plasticiennes : une face cachée de l'histoire de l'art, Paris, 1970-1982
PhD, Amiens Universite, France
Elizabeth da Penha Cardoso (2004)
Imprensa feminista brasileira pós-1974/ Brazilian feminist press after-1974
MA, Universidade de Sao Paulo, Brazil
Lien Fu Chia-Wen (2004)
The body politics of decoration and handicraft: Re-visioning 1970s feminist art (Judy Chicago, Miriam Schapiro, Joyce Kozloff)
PhD, City University of New York, USA
Rakhee Balaram (2004)
On devient femme : women's art, theory, politics and discourse in the 1970's work of Colette Deble, Gine Pane and Agnes Varda
MA, Courtauld Institute, London, UK
Mary Jo Aagerstoun (2004)
Cultural Intervention, Activist Art and Discourses of Oppositionality in the US, 1980-2000
PhD, University of Maryland, USA
Marion de Zanger (2004)
Art, madness, woman: the art expression of the surrealistic artist and writer Unica Zürn (1916-1970)
PhD, Amsterdam University (UVA), The Netherlands
Maeve Connolly (2003)
An archaeology of Irish cinema: Ireland's subaltern, migrant and feminist film cultures (1973-87)
PhD, Dublin City University, School of Communications, Ireland
Julie Gauthier (2003)
Esthétique du féminin et art féministe : la question du genre dans l'art contemporain (en Europe et aux Etats-Unis, de 1960 à nos jours)
PhD, Université Pantheon-Sorbonne, France
Diana Quinby (2003)
Le collectif Femmes/Art à Paris dans les années 1970 : une contribution à l'étude du mouvement des femmes dans l'art / The Women/Art collective in Paris in the 1970s : a contribution to the study of the women artist's movement in France
PhD, Université Pantheon-Sorbonne, France
Katrin Kivimaa (2003)
Nationalism, Gender and Cultural Identities: the Case of Estonian Art from the Impact of Modernity to the Post-Soviet Era 1850-2000
PhD, University of Leeds, UK
Yvette Deseyve (2002)
Der Kunstlerinnen-Verein Munchen e.V. und seine Damen-Akademie : eine Studie zur Ausbildungssituation von Kunstlerinnen im spaten 19. und fruhen 20. Jahrhundert
PhD, Ludwig-Maximilians-Universität München / Munich, Germany
Andrea Schmidt-Niemeyer (2002)
Frauen zwischen Petticoat und Werkbank ... : Geschlechterverhältnisse in der deutschen Nachkriegsgesellschaft ; eine Analyse anhand exemplarischer Paardarstellungen (Schwerpunkt 1945 - 1960)/Women petticoat and Workbench...: gender relations in German pos
PhD, Heidelberg University, Germany
Jane H. Carpenter (2002)
Conjure woman : Betye Saar and rituals of transformation, 1960-1990
PhD, University of Michigan, USA
Susan Ann Richmond (2002)
Put-ons and take-offs : Lynda Benglis, feminism and representations of the body, 1967-1977
PhD, University of Texas at Austin, USA
Sheena Gourlay (2002)
Feminist/art in Quebec, 1975-1992
PhD, Concordia University, Canada
Judith Batalion (2002)
Twisted sisters, tweaked spaces : women's collaboration in the visual arts (1970-2000)
MA, Courtauld Institute, London, UK
See also by same author, Mad mothers, fast friends, and twisted sisters : women's collaborations in the visual arts, 1970-2000 (, )
Aulikki Eromaki (2002)
Weiblichkeit und ästhetisches Handeln bei zeitgenössischen bildenden Künstlerinnen 1975-1990 / Femininity and aesthetic activity among contemporary women artists between 1975-1990
PhD, Universität der Künste Berlin, Germany
Sanne Kofod Olsen (2001)
Kønnet som tegn: Konstitueringen af kvindelig kunstnersubjektivitet i amerikansk feministisk kunst i 1960'erne og 1970'erne
MA, Københavns Universitet, Denmark
Georgia Preece (2001)
Women, painting and critical practice in Britain 1984-1992
PhD, University of East Anglia, UK
Angela. Dimitrakaki (2000)
Gender, geographies, representation : women, painting and the body in Britain and Greece, 1970-1990
PhD, University of Reading, UK
See also by same author, Gender, artwork and the global imperative : a materialist feminist critique (Manchester University Press, 2013)
Julia Herzberg (1998)
Ana Mendieta : the Iowa years : a critical study, 1969 through 1977
PhD, City University of New York, USA
Jennifer Thatcher (1998)
Menace a trois : the art of Leonor Fini, Niki de Saint-Phalle and Annette Messager in the context of 1970s French feminism
MA, Courtauld Institute, London, UK
Suzanne Bailey (1998)
Gender politics in the work of Marisol in the 1960s
MA, Courtauld Institute, London, UK
Jayne Wark (1997)
The radical gesture: feminism and performance art in the 1970s
PhD, University of Toronto, Canada
See also by same author, Radical Gestures (Canada: McGill Queens University Press, 2006)
Donna Marie Binkiewicz (1997)
Painting, politics and Cold War culture: United States arts policy and the formation of the National Endowment for the Arts, 1960-1975
PhD, University of California, Los Angeles, USA
Mignon Nixon (1997)
Louise Bourgeois and the logic of the part-object, 1947-1982
PhD, City University of New York, USA
Amy Ingrid Schlegel (1997)
Codex Spero: feminist art and activist practices in New York since the late 1960s
PhD, Columbia University, USA
Jayne Wark (1997)
The radical gesture: feminism and performance art in the 1970s
PhD, University of Toronto , Canada
Michelle Rosenberg (1997)
Rupturing the skin of memory: bearing witness to the 1989 massacre of women in Montreal
PhD, University of Toronto, Canada
Abby Weinberg (1997)
Identity politics in Canadian artwriting : C Magazine and Parachute, 1983-1996
MA, Concordia University, Canada
Alice Ming Wai Jim (1996)
Black women artists in Canada: a documentation and analysis of the 1989 exhibition "Black wimmin--when and where we enter"
MA, Concordia University, Canada
Rebecca Schneider (1996)
The explicit body in feminist performance, 1963-1993
PhD, New York University, USA
Margaret Davis Jacobs (1996)
Uplifting cultures: encounters between white women and Pueblo Indians, 1890-1935
PhD, University of California, Davis, USA
Telma Elita Juliano Valente (1995)
Olhar feminino : uma decada de produção videografica feminista no Brasil -1983/1993 / A decade of feminist video production in Brazil, 1983-1993
PhD, Universidade Estadual de Campinas, Brazil
Kay Kallos (1994)
A woman's revolution: the relationship between design and the avant-garde in the work of Hannah Höch, 1912-1922
Ph.D, University of Wisconsin - Madison, USA
Tao-Yung Sun (1994)
(Chinese/Eng. title) Gender Identity and Art Creations:Louise Bourgeois, after 1970
MA, National Taiwan Normal University, Taiwan
Louise Ann Parsons (1994)
An analysis of 'The Gold Diggers' (1983) by Sally Potter : feminist film, Julia Kristeva and revolutionary poetics.
PhD, University of Leeds, UK
Jui-Chi Liu (1993)
(Chinese/Eng. title) Judy Chicago's 'The Dinner Party' (1974-79)
MA, National Taiwan University, Taiwan
David Patterson McCarthy (1992)
Compromised positions: situations for the nude in American painting, 1955-1980
PhD, University of Delaware, USA
David Christos Cateforis (1992)
Willem de Kooning's `Women' of the 1950s: a critical history of their reception and interpretation
PhD, Stanford University, USA
April Mary Bowen (1992)
Women's Peace Banners of the 1980s. An exploration of the relationship between women, peace and feminism through the art of banner making
MA, Aberyswyth University, UK
Sue Melnychuk (1992)
Confirming claims and investigating identities : Frida Kahlo and American feminism in the late 1970s
MA, University of British Columbia, Canada
Cherry Tennant (1992)
On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950
MA, University of Melbourne, Australia
Lorna Green (1991)
The Position and Attitudes of Contemporary Women Sculptors in Britain, 1987-1989'
MPhil, Leeds University, UK
Ditta Behrens (1991)
Frauen-Kunstausstellungen im deutschsprachigen Raum : eine Untersuchung zur Rezeption bildender Kunst von Frauen zwischen 1973 und 1984
PhD, University of Hamburg - Universität Hamburg, Germany
Allison Thompson (1989)
A worthy place in the art of our country: the Women's Art Association of Canada, 1887-1987
MA, Carleton University, Canada
Elizabeth Jessie Garber (1989)
Feminist polyphony: a conceptual understanding of feminist art criticism in the 1980s
PhD, Ohio State University, USA
Lauren Rabinovitz (1982)
Points of resistance : women, power & politics in the New York Avant-garde cinema, 1943-71
PhD, University of Texas at Austin, USA
Jorunn Veiteberg (1982)
Kunst og kvinnekamp: ein analyse av og refleksjoner omkring tre utstillingar i Bergen 1975-1980; Art and women’s right: an analysis of and reflections around three exhibitions in Bergen 1975-1980
MA, University of Bergen (UiB), Norway
G R Davis (1981)
THE COOPERATIVE GALLERIES OF THE WOMEN'S ART MOVEMENT, 1969-1980
PhD, Michigan State Universty, USA
M Lombardi (1977)
WOMEN IN THE MODERN ART MOVEMENT IN BRAZIL: SALON LEADERS, ARTISTS, AND MUSICIANS, 1917-1930
PhD, University of California, Los Angeles, USA