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n.paradoxa received support from the Andy Warhol Foundation for the Visual Arts (2012-2014) and
the Flo Art Foundation (2011-2012)

To view contents of volumes, click below

volume 40, July 2017
Ends and Beginnings

volume 39, Jan 2017
Organising/ Organisations

volume 38, July 2016
Polemics / Contestations

volume 37, Jan 2016

volume 36, July 2015

volume 35, Jan 2015

volume 34, July 2014
Lessons from History

volume 33, Jan 2014

volume 32, July 2013

volume 31, Jan 2013
Africa and its Diasporas

volume 30, July 2012
Feminist Aesthetics

volume 29, Jan 2012

volume 28, July 2011

volume 27, Jan 2011
Women's Work

volume 26, July 2010
Feminist Pedagogies

volume 25, Jan 2010

volume 24, July 2009
Material Histories

volume 23, Jan 2009
Art Activism

volume 22, July 2008

volume 21,Jan 2008

volume 20, July 2007

volume 19, Jan 2007

volume 18, July 2006
Curatorial Strategies

volume 17, Jan 2006

volume 16, July 2005

volume 15, Jan 2005
Scientific Ethics/Aesthetics

volume 14, July 2004
Dreams of the Future

volume 13, Jan 2004
Domestic Politics

volume 12, July 2003
Out of Order

volume 11, Jan 2003
Identity Mechanisms

volume 10, July 2002
Rethinking Revolution

volume 9, Jan 2002

volume 8, July 2001

volume 7, Jan 2001
Urban Fictions

volume 6, July 2000
Desire and the Gaze

volume 5, Jan 2000
About Time

volume 4, July 1999

volume 3, Jan 1999
Body, Space and Memory

volume 2, July 1998
Women and New Media

volume 1, Jan 1998

international feminist art journal

volume 35, Jan 2015  (War/Conflict)

30% discount on all volumes, 5 Feb-31 March 2018

cover of n.paradoxa:international feminst art journal vol. 35 (Jan 2015)

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'Editorial'  pp.4

'States of Precarity: Sandra Johnston, nichola feldman-kiss, Rehab Nazzal'  pp.5-15

'Artists' Pages: 'all in a name''  pp.16-18

'Ana Vitória Mussi and Thereza Simões: Expanding Poetic Fields in Brazilian Guerrilla War Art during the Military Dictatorship'  pp.19-30

'Mobilizing Memory: Interview with Ayse Gül Altinay and Isin Önol'  pp.31-39

'The Female Gaze: a (re)viewing of those marked by war: Tamara Abdul Hadi, Sandra Bromley, Gertrude Kearns,and Althea Thauberger'  pp.40-49

'Artists' Pages: 'Cold War Pieces''  pp.50-55

'A War on Women: Teresa Margolles’ Ciudad Juárez '  pp.56-65

'Susana de Sousa Dias’ 48: images that speak against themselves'  pp.66-71

'Re-inscribing public spaces: Queering Yerevan'  pp.72-75

'‘Ti darei un bacio’: Notes on utopia and conviviality in 'Autoritratto' by Carla Lonzi'  pp.76-83

'Silence about Feminism and “Femininity” as an Aesthetic Value: the case of Jindrich Chalupecký’s post-1968 art theory regarding women artists'  pp.84-90

'Accion Urgente/ Urgent Action'  pp.91-93
  Not available in electronic form

'Money is Green Too Manifesto'  pp.94-95