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Single volumes can be purchased in print only. Prices above include postage. All articles are now open access. Some images and articles are not available for copyright reasons. All articles are copyrighted.ISSN: 1461-0434 applies to the print and PDF articles available from this site. n.paradoxa was available through paid electronic subscriptions, Dec 2011-Jan 2018.
'EDITORIAL (Katy Deepwell)' vol. 24 pp.4 |
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Red Chidgey, Rosa Reitsamer and Elke Zobl 'Ladyfest: material histories of everyday feminist art production' vol. 24 pp.5-12 |
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Lisa E. Bloom 'Tableaux Vivants, Dying Empires: Eleanor Antin's The Last Days of Pompeii, Roman Allegories and Helen's Odyssey' vol. 24 pp.13-21 |
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Katy Deepwell 'Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009' vol. 24 pp.22-29 |
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Anna Lena Lindberg 'Affirmative Action: Experiences of 'Implementing a Critical Gender Perspective in Art History/Visual Culture'' vol. 24 pp.30-37 |
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Not available in electronic form |
Val Phoenix 're.act.feminism' vol. 24 pp.38-42 |
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'Views of women artists at the 53rd Venice Biennale' vol. 24 pp.43-45 |
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Not available in electronic form |
Gisela Weimann 'La Notte Blu' vol. 24 pp.45-48 |
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Marian Evans 'We Are Unsuitable for Framing, Te Papa, New Zealand' vol. 24 pp.49-58 |
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Olivia Nitis 'Material Histories: Feminism and feminist art in post-revolutionary Romania' vol. 24 pp.59-67 |
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Joanna Walker 'An Encounter with Nancy Spero ' vol. 24 pp.68-76 |
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'In the Light of Play, Durban Art Gallery' vol. 24 pp.77-78 |
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Pamela Allara 'Susan Woolf: Taxi Driver Signs in South Africa' vol. 24 pp.79-84 |
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Charlotte Lindenberg 'Barbara T. Smith Revisited' vol. 24 pp.85-93 |
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