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n.paradoxa received support from the Andy Warhol Foundation for the Visual Arts (2012-2014) and
the Flo Art Foundation(2011-2012)

To view contents of volumes, click below

volume 40, July 2017
Ends and Beginnings

volume 39, Jan 2017
Organising/ Organisations

volume 38, July 2016
Polemics / Contestations

volume 37, Jan 2016

volume 36, July 2015

volume 35, Jan 2015

volume 34, July 2014
Lessons from History

volume 33, Jan 2014

volume 32, July 2013

volume 31, Jan 2013
Africa and its Diasporas

volume 30, July 2012
Feminist Aesthetics

volume 29, Jan 2012

volume 28, July 2011

volume 27, Jan 2011
Women's Work

volume 26, July 2010
Feminist Pedagogies

volume 25, Jan 2010

volume 24, July 2009
Material Histories

volume 23, Jan 2009
Art Activism

volume 22, July 2008

volume 21,Jan 2008

volume 20, July 2007

volume 19, Jan 2007

volume 18, July 2006
Curatorial Strategies

volume 17, Jan 2006

volume 16, July 2005

volume 15, Jan 2005
Scientific Ethics/Aesthetics

volume 14, July 2004
Dreams of the Future

volume 13, Jan 2004
Domestic Politics

volume 12, July 2003
Out of Order

volume 11, Jan 2003
Identity Mechanisms

volume 10, July 2002
Rethinking Revolution

volume 9, Jan 2002

volume 8, July 2001

volume 7, Jan 2001
Urban Fictions

volume 6, July 2000
Desire and the Gaze

volume 5, Jan 2000
About Time

volume 4, July 1999

volume 3, Jan 1999
Body, Space and Memory

volume 2, July 1998
Women and New Media

volume 1, Jan 1998

international feminist art journal

About the Editorial Board


Renee Baert

Renee Baert is a Montreal-based independent curator and critic, who teaches at Concordia University. She was a founding member of the early feminist film collective ReelFeelings (Vancouver) and of The Women's Cultural Building (Toronto). Her curatorial work in the 1990s particularly explored feminist art practices as non-textual instances of feminist theory (Objects in Advance of the Concept, Legitimation). She recently curated the international touring exhibition of Shilpa Gupta (2011-12). She has written on curatorial issues from a feminist perspective, in Feminisms is Still Our Name (2010) and was co-editor of n.paradoxa's Curatorial Strategies issue (vol 18, 2006).

Silvia Eiblmayr

Silvia Eiblmayr is a curator, lecturer and author, based in Vienna. She was Director of Salzburger Kunstverein, 1993-1995 and Director of Galerie im Taxispalais /Galerie des Landes Tirol, Innsbruck, 1999-2008. Her many major exhibitions include: Kunst mit Eigen-Sinn. Aktuelle Kunst von Frauen (with VALIE EXPORT), Museum of Modern Art/Museum of the 20th Century, Vienna, 1985; Topography II: Underground. Video-Installations in the Vienna Subway System, Vienna Festival Weeks, 1991; Zones of Disturbance, steirischer herbst, Graz, 1997; concept for exhibition project The Wounded Diva. Body, Hysteria and Technology in 20th Century Art, Lenbachhaus Munich, Münchner Kunstverein, Munich, Siemens arts program, Munich, and Galerie im Taxispalais, Innsbruck, 2000. Her books include: Die Frau als Bild: Der weibliche Korper in der Kunst des 20. Jahrhunderts (1993) and Die Verletze Diva-Hysterie, Korper, Technik in Der Kunst Des 20. Jahrhunderts(2000) as well as many exhibition catalogues and essays.

Joanna Frueh

Joanna Frueh is a writer, a performance artist, and a scholar. Her most recent book is Clairvoyance (For Those In The Desert): Performance Pieces, 1979-2004 (2008). Frueh has presented performances and lectures in the United States, Canada, Australia, and the UK. She received a Lifetime Achievement Award from the Women’s Caucus for Art in 2008, and in 2011 TDR: The Drama Review, devoted a special section to her work.

Janis Jefferies

Janis Jefferies is an artist, writer and curator, Professor of Visual Arts in the Department of Computing, Goldsmiths University of London,Director of the Constance Howard Resource and Research Centre in Textiles and Artistic Director of Goldsmiths Digital Studios.

Hiroko Hagiwara

Hiroko Hagiwara is Professor in Cultural Studies and Women's Studies at Osaka Prefecture University. Her recent publications include 'Representation, Distribution and Formation of Sexuality in the Photography of Araki Nobuyoshi' Positions 18:1 (2010; 'Working on and Off the Margins' in Laura Hein and Rebecca Jennison (eds) Imagination without Borders: Feminist Artist Tomiyama Taeko and Social Responsibility (Japan Center at Michigan University, 2010).

Hilary Robinson

Professor Hilary Robinson is Dean of the Art and Design Faculty, Middlesex University. She was Dean of the College of Fine Arts at Carnegie Mellon University until 2012. She is the Editor of Feminism - Art - Theory: An Anthology 1968-2000 (Blackwell, 2011) (updated and extended in 2015 to Feminism-Art-Theory: An Anthology, 1968-2014) and Reading Art, Reading Irigaray (I.B.Tauris). She runs the Feminism-Art-Theory Facebook page.

Bisi Silva

Bisi Silva is an independent curator and the founder and artistic director of the Centre for Contemporary Art,Lagos in Nigeria, a center opened in December 2007 to promote research, documentation and exhibitions. Her curatorial work includes: (co-curator) J.D.Okhai Ojeikere: Moments of Beauty (Kiasma, Helsinki (April-November, 2011); Praxis: Art in Times of Uncertainty for the 2nd Thessaloniki Biennale of Contemporary Art, Greece (September 2009), and co-curator Dak’Art Biennale (2006). Her exhibition In the Light of Play was at the Durban Art Gallery and presented at the Jo'burg Art Fair 2009. She has been recipient of a Clark/Mellon Fellowship at the Clark Art Institute, USA (2011); a IASPIS Curatorial Residency, Sweden (2010), and a HIAP/FRAME Curatorial Residency, Finland (2009). She runs her own blog ArtSpeakAfrica.