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n.paradoxa received support from the Andy Warhol Foundation for the Visual Arts (2012-2014) and
the Flo Art Foundation(2011-2012)

Why not buy some print volumes of n.paradoxa?

Feminism in global contemporary art...transnational and transgenerational

The print journal n.paradoxa
[ISSN 1461-0434] has published
500+ articles by or about
400+ artists and writers from
80+ countries in
40 vols, 1998-2017

n.paradoxa online
[ISSN 1462-0426]
published 21 issues
(1996-2010)
online with different
content to the print journal
The last of these was the
n.paradoxa's guide to Feminist Art, Art History and Criticism


KT press books
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Published volumes:
Ends and Beginnings
(vol 40, July 2017)
Organising/ Organisations
(vol 39, Jan 2017)
Polemics/ Contestations
(vol 38, July 2016)
SOUND?NOISE!VOICE!
(vol 37, Jan 2016)
Humour
(vol 36, July 2015)
War/Conflict
(vol 35, Jan 2015)
Lessons from History
(vol 34, July 2014)



KT press books


Three Tunisian Women Artists: Nicène Kossentini, Mouna Karray and Moufida Fedhila


Front Cover Hadria

ISBN: 978-09536541-8-5
electronic only. epub format
82 pages, 40 illus.
(2013)

 

 

 

 

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£4.50

 

Michèle Cohen Hadria interviews Nicène Kossentini, Mouna Karray and Moufida Fedhila three women artists living and working in Tunisia today. The interviews discuss the work of these artists since the revolution and feature a discussion of artistic creation against the political backdrop of contemporary Tunisia. The interviews featured are accompanied by photographs of the artists’ works.
Born in Tunisia in 1950, Michèle Cohen Hadria is independent art critic, living in Paris. She studied art, in Roma (Italia), then experimental film, at Paris Sorbonne.
She contributed to various catalogues for artists and to various art journal in France and abroad such as: ArtPress, Jeune Cinéma(Paris), n.paradoxa, Third Text (London) Tema Celeste (Milano/ Italie) ETC, Ciel Variable (Montréal/Canada) Camera Austria (Graz/ Austria). She dedicated herself to examine Arab world works' artists since 1998 and she organized together with the scholar Nicole Brenez a series of screenings around New Arab experimental films at La cinémathèque Française, Paris, (2003). Now she has dedicated herself to postcolonial issues in general and as well postcolonial gender studies in particular.
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