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n.paradoxa received support from the Andy Warhol Foundation for the Visual Arts (2012-2014) and
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Why not buy some print volumes of n.paradoxa?

Feminism in global contemporary art...transnational and transgenerational

The print journal n.paradoxa
[ISSN 1461-0434] has published
500+ articles by or about
400+ artists and writers from
80+ countries in
40 vols, 1998-2017

n.paradoxa online
[ISSN 1462-0426]
published 21 issues
(1996-2010)
online with different
content to the print journal
The last of these was the
n.paradoxa's guide to Feminist Art, Art History and Criticism


KT press books
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digital .epubs. Read on ipad, tablets, PC or MAC

Published volumes:
Ends and Beginnings
(vol 40, July 2017)
Organising/ Organisations
(vol 39, Jan 2017)
Polemics/ Contestations
(vol 38, July 2016)
SOUND?NOISE!VOICE!
(vol 37, Jan 2016)
Humour
(vol 36, July 2015)
War/Conflict
(vol 35, Jan 2015)
Lessons from History
(vol 34, July 2014)



KT press books


Fran Cottell: The House Projects


NULLFront cover: Fran Cottell

ISBN: 9780992693442
120 pages, 100+ illus.

225mm w. x 275mm h. x 9mm d.
(2021)

 

 

 

 

Available to purchase by mail order in print only

£ 25.00 includes UK/Europe postage
£ 35.00  includes USA/RoW postage

 

Over the last twenty years Fran Cottell has produced a series of increasingly provocative live installations in her house. The House Projects are a series of time based art works that question how to show everyday ephemeral live experiences outside the fixed frame of the art institution in order to preserve life, or rather the breath of ‘aliveness’.
Fran Cottell has been producing performance and installations since the 1970s. In the spirit of an active and lively conversation, her work seeks to challenge fixed hierarchies to produce a dynamic democracy in which everyone changes and exchanges points of view.
Through substantial visual documentation, this book traces key ideas behind Fran Cottell’s House Projects, 2001-2017 (ongoing). Introduced by the artist’s own ref lective account of producing these interventions, the book also includes responses from visitors and collaborators as well as family members and an essay by Katy Deepwell.

 

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