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Copyright: KT press, 2019
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n.paradoxa received support from the Andy Warhol Foundation for the Visual Arts (2012-2014) and
the Flo Art Foundation(2011-2012)
Why not buy some print volumes of n.paradoxa?
Feminism in the contemporary art...transnational and transgenerational
The print journal n.paradoxa
[ISSN 1461-0434] has published
500+ articles by or about
400+ artists and writers from
80+ countries in
40 vols, 1998-2017
published 21 issues
online with different
content to the print journal
The last of these was the
n.paradoxa's guide to Feminist Art, Art History and Criticism
Ends and Beginnings
(vol 40, July 2017)
(vol 39, Jan 2017)
(vol 38, July 2016)
(vol 37, Jan 2016)
(vol 36, July 2015)
(vol 35, Jan 2015)
Lessons from History
(vol 34, July 2014)
c. 46 pages, 40 + illus.
Available in .epub format only
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Patricia Karetzky discusses the metaphor of the shoe and how it is present in different women artists' work in China, Korea and USA.
The artists discussed are: Peng Wei, Nina Kuo, Yin Xuizhen, Cai Jin, Xin Song, Il Sun Hong, Betty YaQuin Chou and Mimi Kim.
Patricia Eichenbaum Karetzky is O. Munsterberg Chair of Asian Art at Bard College.
This ebook is available as a DRM-free .epub (a download file)
It works best on an i-pad. It can be read on an iphone or other device in ibooks. You can download it onto a PC or MAC and read through different colour .epub readers, e.g. Mozilla Firefox's free epub reader/Sony e-reader/Nook for PC. br>This epub can be converted to a .mobi file (for Kindle or Kindle on PC) without problems using Kindle Fire and can also be purchased on Amazon's Kindle shop and Google Play
This project is supported by the Andy Warhol Foundation for Visual Arts, New York
KT press ebooks are not PDFS. There is no print copy available of these ebooks.
KT press .epub files are DRM-free and can be read on i-pads, i-phones, purchased and read on different devices like Amazon's Kindle, Sony Reader or Nook. They can be downloaded to a PC or MAC computer/ laptop and then read through an .epub reader programme.
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