n.paradoxa
international feminist art journal
volume 40, July 2017 (Ends and Beginnings)
If you enjoy reading n.paradoxa, you can still order your favourite volume(s) in print!
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Single volumes can be purchased in print only. Prices above include postage. Most articles are now open access.
All articles are copyrighted to named authors/artists. Some images and articles are not available for copyright reasons.The same ISSN -1461-0434 - applies to the print and PDF articles.
n.paradoxa was available through paid electronic subscriptions, Dec 2011-Jan 2018.
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Contents
| ' EDITORIAL (Katy Deepwell)' vol. 40 pp.4 |
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| Katy Deepwell 'On the Beginnings and End of n.paradoxa: international feminist art journal' vol. 40 pp.5-13 |
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| Kirstin Ringelberg 'Having It Both Ways: Neoliberal Feminism in the Contemporary Art World' vol. 40 pp.14-20 |
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| Kathy Rae Huffman, Ana Peraica, Ana Kuzmanic, Petar Jandric 'Interview with Kathy Rae Huffman: Curating digital art with heart and mind' vol. 40 pp.21-31 |
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| Lynn Hershman Leeson 'Artist's Pages: Infinity Engine' vol. 40 pp.32-37 |
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| Jude Adams 'Beginnings, Endings and Returns The Women’s Show, 40 years on' a prelude to the FRAN festival in August 2017 in Australia' vol. 40 pp.44-51 |
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| Laura Iamurri 'On the Threshold. Carla Lonzi, the End of Art Criticism and the Beginnings of Feminism' vol. 40 pp.52-59 |
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| Katy Deepwell 'Why Feminist Stories Matter: Katy Deepwell interviews Clare Hemmings' vol. 40 pp.60-68 |
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| Victoria Ferentinou and Konstantina Drakopoulou 'Gaps in (Greek) Art History and Criticism: Feminist Possibilities in Contemporary Greek Art' vol. 40 pp.69-79 |
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| Sheila Gaffney 'A Story Within a Story Within a Story Within a Story: British Art School Experience Retrieved Through Archive, Anecdote and Life Writing' vol. 40 pp.80-88 |
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| Penelope Smart 'Leisure: a Canadian artist/curator collective' vol. 40 pp.89-93 |
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| Ros Bandt and Leah Barclay 'Sonic Activism in the Antipodes' vol. 40 pp.94-103 |
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