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'EDITORIAL (Katy Deepwell)' pp. 4
Angela Dimitrakaki 'Labour, Ethics, Sex and Capital On Biopolitical Production in Contemporary Art
On Biopolitical Production in Contemporary Art' pp. 5-15
subRosa 'Bodies Unlimited A decade of subRosa's art practice' pp. 16-25
Marcia Oliveira 'The postmodern paradox in visual arts aestheticism, politics and contemporary materialism' pp. 26-31
Jo Anna Isaak 'Memories, rooms, sound and skin an interview with Irina Nakhova' pp. 32-40
Silvia Ziranek '(WHAT?) FACE FATE' pp. 42-43
images and text
'54th Venice Biennale' pp. 44-47 Not available in electronic form
Katy Deepwell 'From Marginalia to Monalisa an interview with Ida Applebroog' pp. 48-56
Suzana Milevska 'Woman Bear Witness' pp. 57-63
Monica Sjoo and Anne Berg 'Images on Womanpower - Arts Manifesto (1971) (trying to give a rough and necessarily incomplete idea of what we are about.)' pp. 64-67 Not available in electronic form
Kim Sawchuk 'Bio-art and the feminist politics of hands-on knowledge: an interview with Tagny Duff' pp. 68-79
Victoria Rance 'Mary Kelly: Projects, 1973-2010' pp. 80-87
Kimberly Lamm 'At the Pivot of the Biopolitical: Seeing Sex and Racism in Lorna Simpson's You're Fine' pp. 88-93
'3 Women: Maria Pininska-Berez, Natalia LL, Ewa Partum' pp. 94-95 Not available in electronic form