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n.paradoxa is supported by the Andy Warhol Foundation for the Visual Arts and
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To view contents of other volumes, click below

volume 31, Jan 2013
Africa and its Diasporas

volume 30, July 2012
Feminist Aesthetics

volume 29, Jan 2012
Trans-Asia

volume 28, July 2011
Bio-politics

volume 27, Jan 2011
Women's Work

volume 26, July 2010
Feminist Pedagogies

volume 25, Jan 2010
Pleasure

volume 24, July 2009
Material Histories

volume 23, Jan 2009
Art Activism

volume 22, July 2008
Incidental

volume 21,Jan 2008
Violence

volume 20, July 2007
Translate/Narrate

volume 19, Jan 2007
IN/difference

volume 18, July 2006
Curatorial Strategies

volume 17, Jan 2006
Journeys

volume 16, July 2005
Families/Homilies

volume 15, Jan 2005
Scientific Ethics/Aesthetics

volume 14, July 2004
Dreams of the Future

volume 13, Jan 2004
Domestic Politics

volume 12, July 2003
Out of Order

volume 11, Jan 2003
Identity Mechanisms

volume 10, July 2002
Rethinking Revolution

volume 9, Jan 2002
(Eco)Logical

volume 8, July 2001
Economies/Exchanges

volume 7, Jan 2001
Urban Fictions

volume 6, July 2000
Desire and the Gaze

volume 5, Jan 2000
About Time

volume 4, July 1999
Sculpture/Installation

volume 3, Jan 1999
Body, Space and Memory

volume 2, July 1998
Women and New Media

volume 1, Jan 1998
Feminism/Postfeminism

n.paradoxa
international feminist art journal

volume 28, July 2011  (Bio-politics)

cover of n.paradoxa: international feminist art journal vol. 28 (July 2011) KT press

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'EDITORIAL (Katy Deepwell)'  pp. 4
  text only

Angela Dimitrakaki
'Labour, Ethics, Sex and Capital On Biopolitical Production in Contemporary Art On Biopolitical Production in Contemporary Art'  pp. 5-15
  text only

subRosa
'Bodies Unlimited A decade of subRosa's art practice'  pp. 16-25
  text only

Marcia Oliveira
'The postmodern paradox in visual arts aestheticism, politics and contemporary materialism'  pp. 26-31
  text only

Jo Anna Isaak
'Memories, rooms, sound and skin an interview with Irina Nakhova'  pp. 32-40
  text only

Silvia Ziranek
'(WHAT?) FACE FATE'  pp. 42-43
  images and text


'54th Venice Biennale'  pp. 44-47
Not available in electronic form  

Katy Deepwell
'From Marginalia to Monalisa an interview with Ida Applebroog'  pp. 48-56
  text only

Suzana Milevska
'Woman Bear Witness'  pp. 57-63
  text only

Monica Sjoo and Anne Berg
'Images on Womanpower - Arts Manifesto (1971) (trying to give a rough and necessarily incomplete idea of what we are about.)'  pp. 64-67
Not available in electronic form  

Kim Sawchuk
'Bio-art and the feminist politics of hands-on knowledge: an interview with Tagny Duff'  pp. 68-79
  text only

Victoria Rance
'Mary Kelly: Projects, 1973-2010'  pp. 80-87
  text only

Kimberly Lamm
'At the Pivot of the Biopolitical: Seeing Sex and Racism in Lorna Simpson's You're Fine'  pp. 88-93
  text only


'3 Women: Maria Pininska-Berez, Natalia LL, Ewa Partum'  pp. 94-95
Not available in electronic form