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Read n.paradoxa's Guide to Feminist Art, Art History and Criticism
Current volume:
Trans-Asia
(vol 29, Jan 2012)
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Next volumes
Feminist Aesthetics
(vol 30, July 2012)
Africa
(vol 31, Jan 2013)
Previous volumes
Biopolitics
(vol 28, July 2011)
Women's Work
(vol 27, Jan 2011)
Feminist Pedagogies
(vol 26, July 2010)
Pleasure
(vol 25, Jan 2010)
Renee Baert is a Montreal-based independent curator and critic, who teaches at Concordia University. She was a founding member of the early feminist film collective ReelFeelings (Vancouver) and of The Women's Cultural Building (Toronto). Her curatorial work in the 1990s particularly explored feminist art practices as non-textual instances of feminist theory (Objects in Advance of the Concept, Legitimation). She recently curated the international touring exhibition of Shilpa Gupta (2011-12). She has written on curatorial issues from a feminist perspective, in Feminisms is Still Our Name (2010) and was co-editor of n.paradoxa's Curatorial Strategies issue (vol 18, 2006).
Joanna Frueh is a writer, a performance artist, and a scholar. Her most recent book is Clairvoyance (For Those In The Desert): Performance Pieces, 1979-2004 (2008). Frueh has presented performances and lectures in the United States, Canada, Australia, and the UK. She received a Lifetime Achievement Award from the Women’s Caucus for Art in 2008, and in 2011 TDR: The Drama Review, devoted a special section to her work.
Janis Jefferies is is an artist, writer and curator, Professor of Visual Arts in the Department of Computing, Goldsmiths University of London,Director of the Constance Howard Resource and Research Centre in Textiles and Artistic Director of Goldsmiths Digital Studios.
Hiroko Hagiwara is Professor in Cultural Studies and Women's Studies at Osaka Prefecture University. Her recent publications include 'Representation, Distirbution and Formation of Sexuality in the Photography of Araki Nobuyoshi' Positions 18:1 (2010; 'Working on and Off the Margins' in Laura Hein and Rebecca Jennison (eds) Imagination without Borders: Feminist Artist Tomiyama Taeko and Social Responsibility (Japan Center at Michigan University, 2010).
Hilary Robinson is Dean of the College of Fine Arts at Carnegie Mellon University. She is the Editor of Feminism - Art - Theory: An Anthology 1968-2000 (Blackwell, 2011) and Reading Art, Reading Irigaray (I.B.Tauris). She runs the Feminism-Art-Theory Facebook page.
Bisi Silva is an independent curator and the founder and artistic director of the Centre for Contemporary Art,Lagos in Nigeria, a center opened in December 2007 to promote research, documentation and exhibitions. Her curatorial work includes: (co-curator) J.D.Okhai Ojeikere: Moments of Beauty (Kiasma, Helsinki (April-November, 2011); Praxis: Art in Times of Uncertainty for the 2nd Thessaloniki Biennale of Contemporary Art, Greece (September 2009), and co-curator Dak’Art Biennale (2006). Her exhibition In the Light of Play was at the Durban Art Gallery and presented at the Jo'burg Art Fair 2009. She has been recipient of a Clark/Mellon Fellowship at the Clark Art Institute, USA (2011); a IASPIS Curatorial Residency, Sweden (2010), and a HIAP/FRAME Curatorial Residency, Finland (2009). She runs her own blog ArtSpeakAfrica.